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A brightly colored manuscript page. On the left is calligraphy in Sanskrit; on the right is a woman in printed garb sitting in a carriage pulled by two white horses. She makes a gesture with her two palms press together. A black figure looks back at her.

Blog: Inclusive and Culturally Responsive Teaching in Classics

Dora Gao, Arum Park |
Cover of Euripides' The Trojan Women: A Comic, by Rosanna Bruno and Anne Carson

Blog: “Can We Strangle the Muse?”: Carson and Bruno’s The Trojan Women

Christopher Trinacty, Emma Glen, Emily Hudson |
A human pushing a round boulder up a steep incline

Blog: Tracing Tragedy: Classical Reception in Modernist Literature

Manya Lempert, Arum Park |
A mosaic showing three people, one dark skinned and two light skinned, with long hair

Blog: What Do We Mean When We Say “Diversity”? Addressing Different Kinds of Inequity

Joy Reeber, Arum Park |

Blog: The Art of Translation: An Interview with Poet Aaron Poochigian

Christopher Trinacty |

Blog: Predicting the Future of Classics

Christopher Trinacty |
Infant Hercules Strangling Two Serpents, late 15th–early 16th century. Bronze. Metropolitan Museum of Art. CC0 1.0.

Blog: Graphic Mythology: How Graphic Novels Visualize the Ancient World

Christopher Trinacty |

Blog: Diversifying Classics II: The University of Michigan’s Bridge MA

Arum Park |
Photo by Christopher Trinacty and used by permission.

Blog: Music and Mythology: A Classics Playlist for the End of Summer

Christopher Trinacty |
Roman Era Mummy Portraits from the Getty, Met, Wikimedia.

Blog: Diversifying Classics: A New Initiative at Princeton

Arum Park |
Ferris Bueller’s Day Off © Paramount Pictures Corp. All Rights Reserved.

Amphora: Cult Classic: Ferris Bueller’s Day Off, Euripides’ Bacchae, and Echoes of Dionysus in Chicago

Wells Hansen, Angeline Chiu |
Prof Macurdy working in special collections area ca. 1940 photograph

Amphora: Two Pioneering Feminist Classicists: Grace Harriet Macurdy and Barbara F. McManus

Wells Hansen, JudithPHallett |
Text that says AMPHORA

Amphora: American Furies: Justice in Cormac McCarthy’s No Country for Old Men And the Oresteia Trilogy

Wells Hansen, Karen Rosenbecker |
A sculpture of a man's face, missing a nose

Blog: Teaching and Learning at the Museum, A Liberal Arts College Perspective

Andaleeb Banta, Christopher Trinacty |
A landscape of a mountainside with text reading AMPHORA

The Bumpy Path to Classics

Wells Hansen, erich |
Tarquinius en Lucretia

Blog: Teaching Classics in the Age of #MeToo

Sara Hales, Arum Park |
Text that says AMPHORA

Changing the Guard at Amphora

Wells Hansen, Ellen Bauerle |
A white book cover with red text and a sketched face of a man with curly hair

The Return of a Catullan Treasure: Sesar’s Catullus Translation Available Again

Wells Hansen, roancona |

Amphora: Editing for Good

Wells Hansen |

The Stakes are High: Tragedy and Transformation within Prison Walls, by Elizabeth Bobrick

Wells Hansen, Elizabeth Bobrick |